A HYBRID AI FILM BY GABRIELE CIAMPI

THE RITUAL CODE

Episode I · The Vatican Protocol

A SPIRITUAL THRILLER IN THREE EPISODES

PREMIERES NOVEMBER 19 ON YOUTUBE

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I

The music came first.

Before a single frame existed, the score was written by hand, at the piano.

As a classically trained composer, Gabriele Ciampi starts from a theme, and so does this film. He wrote the main theme first. Everything else grew out of it: the pace of each scene, the length of a silence, the moment a face turns to the light.

The images were then generated to fit the music, never the other way round.

In The Ritual Code, silence is the main instrument. When the music comes in, it is a solo cello. The episode closes on an original song.

  • The Ritual Code, main theme

    Solo cello: Livia De Romanis · 1 min excerpt

  • Back to the Light

    Written by Gabriele Ciampi · performed by SARA, an AI singer · 1 min excerpt

Mastered at Abbey Road Studios.

II

The film

The Vatican built an AI to understand the soul. Now it needs a body.

The Ritual Code is a spiritual thriller in three episodes: a Vatican mystery in which every witness is lying to protect someone else, and possession is the loss of one’s own body.

EPISODE I · THE VATICAN PROTOCOL

On the anniversary of a failed exorcism, a relic vanishes from the Vatican's restricted archive. A priest takes the blame, a cardinal refuses to listen, and an archivist starts asking the wrong questions. By nightfall, something old has found its way home, and something new is about to wake.

TEASER · 50 SECONDS

Anna in the Vatican archives
The Cardinal
  1. IThe Vatican Protocol
    NOVEMBER 19, 2026 · 27 MIN · ON YOUTUBE
  2. IITitle to be announced
    DECEMBER 2026
  3. IIITitle to be announced
    JANUARY 2027

III

The image is AI. The person is real.

These are the Hybrid AI Actors of The Ritual Code.

They are not synthetic. Each one is a real person, a volunteer who gave their face by written consent and is credited by name. In Episode I, Gabriele performed the roles and the actors recorded some of their own lines. From Episode II, they perform their characters themselves.

Vanessa FormichettiHYBRID AI ACTOR
Anna SantangeloCHARACTER

Vanessa Formichetti

as Anna Santangelo

ROME

Anthony John EndieveriHYBRID AI ACTOR
Cardinal Carlo VescariCHARACTER

Anthony John Endieveri

as Cardinal Carlo Vescari

HOUSTON

Adrian NishinoHYBRID AI ACTOR
Father AdrianoCHARACTER

Adrian Nishino

as Father Adriano

LOS ANGELES

Luca Di MedioHYBRID AI ACTOR
Father MorettiCHARACTER

Luca Di Medio

as Father Moretti

ATLANTA

Giulia VernaHYBRID AI ACTOR
Lara VellaCHARACTER

Giulia Verna

as Lara Vella

ROME

Jennifer YooHYBRID AI ACTOR
JenniferCHARACTER

Jennifer Yoo

as Jennifer

LOS ANGELES

IV

Costume and set

Every costume and every room began as a reference chosen by hand.

Consistency is the hardest thing to get from AI. Left alone, a coat changes its buttons between two shots and a room moves its window. So in The Ritual Code a person supervised every reference and every detail: Daniela Bonini, who is in charge of costume and set design.

She found each piece first: a coat, a pair of earrings, a nightdress, a room. Her references guided the images, so each character wears the same clothes, and each place looks the same, from the first shot to the last. The sketches below were drawn from them.

COSTUME STYLING · D. BONINI

SKETCHSKETCH
ON SCREENON SCREEN

Anna's coat

A long grey tweed coat, double-breasted and fitted at the waist. Anna wears it in the relic shop.

SKETCHSKETCH
ON SCREENON SCREEN

Anna's earrings

Gold openwork drops with a fringe of pearls. They stay with her from the archives to the relic shop.

SKETCHSKETCH
ON SCREENON SCREEN

Lara's nightdress

A pale grey slip with a lace edge, under a soft cardigan, for the room in Lampedusa in 1980.

SKETCHSKETCH
ON SCREENON SCREEN

Anna's shoes

Brown suede T-straps with a pewter trim and a low heel.

Costumes and sets by Daniela Bonini, styled from real-world pieces she selected and adapted for each character.

SET · D. BONINISET · D. BONINI
ON SCREENON SCREEN

The room in Lampedusa

A whitewashed room with a vaulted alcove: an iron bed, blue shutters, a strip of painted tiles and a single oil lamp. The story begins here, in 1980.

Daniela is also on screen, as the Hybrid AI Actor credited for Dr. Nola, a character built with her consent, starting, as always, from a real person.